Loos’ script is biting (and that’s an understatement) from the opening frames where the women talk about each other, and comment on their appearance in a day spa. I only wish I could lay my hands on the version of the play which premiered in … L'opera rappresenta la revisione fatta dall'autrice stessa negli anni '60 del suo capolavoro datato 1936. PINK Revision - 8-22-07 1. ( Log Out /  Set in the glamorous Manhattan apartments of high society evoked by Cedric Gibbons, and in Reno, Nevada, where they obtain their divorces, it presents an acidic commentary on the pampered lives and power struggles of various rich, bored wives and other women they come into contact with. My personal favorite Goddard line: “Keep your chin up…both of them.”. Crystal appears, ordering expensive clothes. Unfortunately, Mary is unable to cope with Crystal, as evidenced by their tense confrontation scene. The Countess tells tales of her multiple husbands and seems to have found another prospect in a cowboy named Buck Winston.

As it was in the end of The Divorcee, Mary is resolved to fight for Stephen (conveniently, once Crystal’s out-of-the-way) with the implication being we’ll get a happily ever after. Each discussion is published at The House Next Door. http://thegreatkh.blogspot.co.uk/2012/05/communities-of-women-how-hepburn-passes.html. The play has an entire female cast (35 parts). The New York Times reported on Cukor's strategies for managing a cast of 135 women led by three famously demanding stars. I loved Crawford in this, especially having seen her play a tough-as-nails single mother in Mildred Pierce. Although she had a significant literary and later political career, in theatrical circles Clare Boothe Luce is best recalled for THE WOMEN, a play that opened in New York in 1936 with an all-female cast. I've been published on The Hollywood Reporter, Remezcla, and The Daily Beast. The film introduces the plot device that Mary Haines’ husband Stephen is cheating on her with Crystal Allen. Ruth Hussey, Virginia Weidler, Butterfly McQueen, and Hedda Hopper also appear in smaller roles. 257 6 The Women is a 1939 American comedy-drama film directed by George Cukor. According to IMDB, the only top-rated stars of the time who weren’t in this were Greta Garbo and Myrna Loy (although Loy was offered the part of Crystal Allen).

Classic play with a few new age changes. Okay, puppy, five minutes to shop the first floor.

On the train to Reno, Mary meets three women with the same destination and purpose: the dramatic, extravagant Countess de Lave; Miriam Aarons, a tough-cookie chorus girl; and, to her surprise, her shy young friend Peggy Day, who has been pushed into divorce by Sylvia. Actress Carroll Baker talks about her time in Hollywood, working with the legendary Elia Kazan on Baby Doll, and more. Sylvia arrives at the ranch; Howard is suing her, thanks to recorded evidence of mental cruelty. Mary is transformed, crying "I've had two years to grow claws, Mother—Jungle Red!". 'The Women' is eye-opener for 21st century gals, Reviewed in the United States on April 20, 2013.

When Stephen reveals that on the day their divorce is final, he’s married Crystal he should have been cussed out to high heaven! The script is hilarious, packed with memorably bitchy lines and patter, as all these women trade barely concealed barbs, openly insulting one another while maintaining at least an appearance of decorum and manners. [17] It holds a 13% rating on Rotten Tomatoes.[18].

Heartbroken and humiliated, Mary leaves. The eponymous women are all despicable, with the exception of benevolent Mary Haines (Norma Shearer); and while they’re all funny it’s isn’t doing much to say that women aren’t catty, back-stabbing bitches.

They're really appallingly good, and so is their picture.”[10], Leonard Maltin gives the film 3 1/2 out of 4 stars: “All-star (and all-female) cast shines in this hilarious adaptation of Clare Boothe play about divorce, cattiness, and competition in circle of "friends.'' Also at one point, two characters are talking as the main character is outside supposedly fighting with her husband. We're doing our best to make sure our content is useful, accurate and safe.If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. Stephen is now keeping her. Crystal does not care. F. Scott Fitzgeraldworked on the script early on in the process, but was uncredited. The second half is Crystal’s story, revolving around her cheating on Stephen, and being the wicked stepmother to Little Mary. This script was a treat to read and to compare with the 1939 movie version of "The Women". :o). The reveal is told through a conversation with a manicurist to Mary’s cousin Sylvia. I only wish I could lay my hands on the version of the play which premiered in 1936.

I could write a whole essay about this film, but I won’t do that here! Apparently, it is the revised version from the 1973 revival, with references to things such as James Bond and the Beatles. Historian Farran Smith Nehme joins us this week to discuss Mary Astor, domestic dramas, and the 1936 feature Dodsworth. Basically, in the remake you’ll see the main characters walk outside, and every single extra is a woman. Absolutely love this movie, but I totally see where your coming from with your reservations. 200-151 | 150-101 | 100-51 | 50-1, Best Comics of the 2000s

I’ve seen a few memes on the remake and it seems to have traded in wit for sex appeal. Her wise mother urges patience and takes Mary to Bermuda with her, so she can take time to think.

Their catiness can be frustrating, but there are a couple really realistic friendships here. Well, it might be a class thing, but the women in STAGE DOOR are a bit catty, especially in the beginning. Regardless, I’m happy to cross this off my list. [4] F. Scott Fitzgerald worked on the script early on in the process, but was uncredited. I've had a particular fondness for "The Women" ever since performing in production of the play on which it's based. The only exceptions are a poster-drawing clearly of a bull in the fashion show segment, a framed portrait of Stephen Haines as a boy, a figurine on Mary's night stand, and an ad on the back of the magazine Peggy reads at Mary's house before lunch containing a photograph of a man.

The attention to detail was such that even in props such as portraits, only female figures are represented, and several animals which appeared as pets were also female. Virginia Weidler was cast on April 24, 1939.

In 1960, MGM toyed with the idea of doing an all-male remake of The Women which would have been entitled, Gentlemen's Club. If you’re seeking a film about women and friendships then check out Stage Door from two years before. On the opposite end of the spectrum you have Mary Haines: scorned wife. Lesbianism is intimated in the portrayal of only one character, Nancy Blake ("I am an old maid, a frozen asset."). Two years later, Crystal, now Mrs. Haines, is taking a bubble bath and talking on the phone to her lover, Buck Winston, now a radio star and married to the Countess. 262 0 obj <>stream

Rosalind Russell, who usually is sympathetic as all-get-out, is flawless...as the archprowler in the Park Avenue jungle. Fontaine was the last surviving actress with a credited role in the film; she died in 2013. (I incorrectly listed this as the next episode last week. There was a problem loading your book clubs. Crystal resigns herself to the fact that she will be heading back to the perfume counter, adding: "And by the way, there's a name for you ladies, but it isn't used in high society—outside of a kennel." Crawford has one of her best roles...”[11], In 2018, The Guardian's Peter Bradshaw gave five out of five stars to “this extraordinary, almost Daliesque comedy...the absence of men has its own kind of ethical implication. Last revised March 15, 1939.

It’s a different kind of cattiness, but it’s definitely there. 0000000952 00000 n <<8E5A2F3707BE604D940964BA463231FC>]>> Although nothing ever came of this, it would have consisted of the following ensemble: Jeffrey Hunter (Martin Heal), Earl Holliman (Christopher Allen), Tab Hunter (Simon Fowler), Lew Ayres (Count Vancott), Robert Wagner (Mitchell Aarons), James Garner (Peter Day), Jerry Mathers (Little Martin), James Stewart (Mr. It's okay, sweetie. It’s obvious Crystal is meant to be the new type of woman who doesn’t like children or romance, but come on! Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Learn more about Fritzi's work and support it here. I wanted a few of the characters to be less black and white, particularly the other woman of the film, Crystal (Joan Crawford). At Sylvia's insistence, Mary confronts Crystal, who slyly suggests that Mary keep the status quo unless she wants to lose Stephen in a divorce. (all the actors are) all so knowing, so keen on their jobs and so successful in bringing them off that we don't know when we've ever seen such a terrible collection of women. I liked The Women, but it’s not my favorite film of 1939 by a long shot. All of the women are hypocrites, and more than willing to throw over friendships for prestige and gossip. Write your screenplay and focus on the story with many helpful features. Reviewed in the United States on January 21, 2017, Reviewed in the United States on February 6, 2010. I loved the Women for some of the reasons you seemed to dislike it. Thus why I wish Crystal was a sympathetic character, so that you could explore class differences and other things within the film as opposed to “Women, especially poor ones, are man-stealers and tramps.”. The film stars Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Florence Nash, and Virginia Grey. Great review, as usually, Kristen!

I revisit it almost every year and my appreciation for the performances and the writing grows.”[14] She reiterated her love for the film several years later. I’ll get to that segment in a second, but in all this time she never appears to feel like she’s done the right thing. Go for the shoes, bad shoes. Change ), Become a Patron!https://c6.patreon.com/becomePatronButton.bundle.js. [13], Actress Anna Kendrick considers the film to be her favorite film to watch, calling it “a wildly funny all female cast and a female writer. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Directed by George Cukor and starring Norma Shearer, Joan Crawford, and Rosalind Russell, the 1939 film version was a legendary smash, and the play has been twice revived on Broadway and performed numerous times in regional, academic, and community theatre. It's a delight to have it in print. Where Peggy never says the right thing, Goddard’s character Miriam always says something hilariously snarky. I wonder what the originals were. - Acting Edition (Acting Edition for Theater Productions), The Philadelphia Story: A Comedy in Three Acts.

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